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Location: University of California, Santa Barbara Date: May 19, 2012 Deadline for submissions: 30 Oct 2011 Contact: V.M. Welter (welter@arthistory.ucsb.edu) and S.J. Sadler (sjsadler@ucdavis.edu) Ä°nvolve Participants During wintertime and Spring quarter 2012, the Art, Design, and Architecture Museum (ADAM) on the University of California at Santa Barbara (UCSB) will exhibit â??Carefree California: Cliff May plus the Romance in the Ranch Houseâ?�. This first exhibition devoted to the Å?uvre of Californian architect Cliff May draws with the archive housed at UCSB and will be offering a perfect possiblity to think more generally concerning the teaching of Californian architectural history. Through open, collegial round-table discussions, the conference â??Icon and Anonymityâ?� ask: Is there a specifically Californian good architecture, and what / things we teach when we offer instruction within it? What, for example, do Cliff Mayâ??s ubiquitous ranch houses represent? Fine architecture, material culture, or mere images of your mythic frontier? How do we present the contradiction they allowed for just a life more detailed nature by leading to processes of suburbanization? Ä°s it examples of modern architecture gone regional, or of modernized vernacular buildings, or of an additional Californian revival style? Comparable questions and issues obviously arise negative credit Californian architectural history at large. In histories of California, descriptions of buildings often accompany accounts in the colonization efforts within the Spanish Crown and the creation of modern California right after the state became area of the U.S. in 1850, as if architectureâ??s key purpose was strategic. On normally the one hand, California has contributed iconic modernist buildings to canonical histories of architecture, most current discourses on Californian architecture are shifting the debate to a built environment comprised of mass housing, â??anonymousâ?� edifices, and subsidiary buildings. In recent decades, indeed, a history of Californian architecture has undergone an amazing widening of subject matter. Shifting academic foci of inquiries have resulted in lively discussions of architectural history just as one aperture onto issues of politics, economics, social policies, ethnicity, cultural history, social justice, technology, preservation, regionalism, and sustainability. Such methodological shifts have enhanced the scope within the academic discipline of architectural history, but they also create complications. This conference will navigate the competing demands on the history of architecture during the Californian context. Can architectural historians simultaneously serve the requirements of preservationists, practicing architects and designers, students of art history, and general education curricula? Should the historical past of architecture donrrrt sub-discipline of cultural studies, material studies, cultural geography, or studio design? What are definitely the subject-specific questions, methodologies, and terminology comprise architectural history as being a discipline in its own right? Do architectural historians still love architectural quality, style, taste and affect-for a long time the criteria to ascertain whether a design merited our disciplineâ??s attention? Can discussions in regards to the â??built environmentâ?� elicit enthusiasm, critical evaluation, and qualitative judgment among students like that purportedly inspired by â??great buildingsâ?� and â??starchitectsâ?� (Michael Lewis)? The Department of your History of Art & Architecture plus the Art, Design, and Architecture Museum, both at UCSB, will host â??Icon and Anonymityâ?� as a day-long conference committed to debating disciplinary questions. The conference features a tour within the Cliff May exhibition, lunch-time discussion groups, as well as a public roundtable talk and open discussion. The event are going to be opened and closed by Frances Anderton, host of â??DnA: Design and Architectureâ?�, a monthly radio show on KCRW and KCRW.com, and L.A. Editor for Dwell Magazine, and Wim de Wit, Head of the Department of Architecture & Contemporary Art with the Getty Research Institute in Are generally. Applications to participate in in the exhibition tour and lunch-time discussion groups are cordially invited from scholars, professionals, and graduate students teaching, researching, and interesting with architectural history in universities, city colleges, preservation foundations, public past and environmental groups, real estate property, museums, architecture firms, along with other organizations and initiatives occupied with Californian architecture. Please send a short statement (a maximum of one page) of this interest in Californian architectural background and a short CV (maximum one page) to Prof. Volker M. Welter, Department on the History of Art and Architecture, University of California at Santa Barbara (welter@arthistory.ucsb.edu) and Prof. Simon Sadler, Design Program, University of California at Davis (sjsadler@ucdavis.edu) while using subject heading â??Icon and Anonymity: Necessitate Participants.â?� Reference / Quellennachweis: CFP: Icon & Anonymity (Santa Barbara, 19 May 12). In: H-ArtHist, Aug resources : barbara-salustri barbara-salustri barbara-salustri
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