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I do not want to overstate the case, or to appeal to anything that is not within common experience, so I can confidently ask you whether a scene in a great play has not been at some time vividly impressed on your minds by the delivery of a single line, or even of one forcible word. Has not this air max outlet made the passage far more real and human to you than all the thought you have devoted to it? An accomplished critic has said that Shakespeare himself might have been surprised had he heard the "Fool, fool, fool!" of Edmund Kean. And though all actors are not Keans, they have in varying degree this power of making a dramatic character step out of the page, and come nearer to our hearts and our understandings. After all, the best and most convincing exposition of the whole art of acting is given by Shakespeare himself: "To hold, as 'twere, the mirror up to nature, to show virtue puma shoes women her own feature, scorn her own image, and the very age and body of the time his form and pressure." Thus the poet recognised the actor's art as a most potent ally in the representations of human life. He believed that new ghd 2011 to hold the mirror up to nature was one of the worthiest functions in the sphere of labour, and actors are content to point to his definition of their work as the charter of their privileges. ACTING AS AN ART. HOW IRVING BEGAN 52 AUTOBIOGRAPHY AUTOBIOGRAPHY FEELING AS A REALITY OR A SEMBLANCE It is necessary to warn you against the theory expounded with brilliant ingenuity by Diderot that the actor never feels. When Macready played Virginius, after burying his beloved daughter, he confessed that his real 53 AUTOBIOGRAPHY AUTOBIOGRAPHY GESTURE. LISTENING AS AN ART. TEAM-PLAY ON THE STAGE With regard to gesture, Shakespeare's advice is all-embracing. "Suit the action to the word, the word to the action, with this special observance that you tiffany uk store overstep not the modesty of nature." And here comes the consideration of a very material part of the actor's business--by-play. This is of the very essence of true art. It is more than anything else significant of the extent to which the actor has identified himself with the character he represents. Recall the scenes between Iago and Othello, and consider how the whole interest of the situation depends on the skill with which the gradual effect of the poisonous suspicion instilled into the Moor's mind is depicted in look and tone, slight of themselves, but all contributing to the intensity of the situation. One of the greatest tests of an actor is his capacity for listening. By-play must be unobtrusive; the student should remember that the most minute expression attracts attention, that nothing is lost, that by-play is as mischievous when it is injudicious as 54 AUTOBIOGRAPHY AUTOBIOGRAPHY 55 AUTOBIOGRAPHY AUTOBIOGRAPHY THE CALLING OF AN ACTOR I received, not very long ago, in a provincial town, a letter from a midnight collection ghd young lady, who wished to adopt the stage as a profession but was troubled in her mind by certain anxieties and uncertainties. These she desired me to relieve. The questions asked by my correspondent are rather typical questions-questions that are generally asked by those who, approaching the stage from the outside, in the light of prejudice and misrepresentation, believe the calling of the actor to be one morally dangerous and intellectually contemptible; one in which it is equally easy to succeed as an artist and degenerate as an individual. She begins by telling me that she has a "fancy for the stage," and has "heard a great many things about it." Now, for any man or woman to become an actor or actress because they have a "fancy for the stage" is in itself the height of folly. There is no calling, I would venture to say, which demands on the part of the aspirant greater searching of heart, thought, deliberation, real assurance of fitness, reasonable prospect of success before deciding to follow it, than that of the actor. And not the least advantage of a dramatic school lies in the fact that some of its pupils may learn to reconsider their determination to go on the stage, become convinced of their own unfitness, recognise in time that they will be wise to abandon a career which must always be hazardous and difficult even to those who are successful, and cruel to those who fail. Let it be something far sterner and stronger than mere fancy that decides you to try your fortunes in the theatre. Cheap ghds 63453 Christian Louboutin Shoes Sale 7454 Timberland 6 Inch Boots sale 7454
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